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RUSSIAN CIRCLES: "MEMORIAL" CONTEMPLATING ATMOSPHERIC INTENSITY

Russian Circles: "Memorial" Contemplating Atmospheric Intensity.

- Post-Metal Heavyweights Perseverance


Fifth Studio Album from American Post-Metal Heavyweights "Russian Circles" entitled "Memorial" released on 29th October 2013 via Sargent House. Still produced by Brandon Curtis(The Secret Machines, Interpol) the guy who's behind two Russian Circles previous album "Empross"(2011) and "Geneva"(2009). Russian Circles is maybe now is the Crown jewel of Post-Metal, apart from many other alike we used to know such as Cult Of Luna, some might say The Ocean, Intronaut, and Others will definetly still rooting for Isis. Don't get me wrong, I love Isis dude. Looks like my First Love all I can say. Russian Circles - Memorial develop a signature of Polarized patterns in Music. Some we can see from their Recent news about this album. The guys collaborated with The majestic Beauty Ms. Chelsea Wolfe. Whom works I find very Intruiging indeed.







Russian Circles sounds like Russian Circles, they have their own unique way of reproduce great Music through Crushing guitars sounds, twist and turns. They have those Element of being knowingly Beastly Guitars, Roaring basslines, Such as "Deficit" starts off with a Pounding contraction on the Ear. Those shredding Groovy dark side arms, Moving elegantly through what the Russian Circles we Know best. Some will find this Shocking for just hearing this the first time like saying, 'Dude For Real?!!' I myself fell in love with every bits and pieces, Fills up to my needs of Post-Metal supper. "1777" is maybe one of my most favorite track, play it slow, then go off crashing through a wall, Breaking point goes so Loud is making my ear bleeds Water, yes, It's making my ear wet. The typical Russian Circles signature moves. Full cresendo and goes menacing through a thick Brick. Powerful yet majestic. Love Mike Sullivan drum sounds, the sound really goes down to my inner thoughts, Geneva in their prime moments, And Brian Cook Pallbearing Bass Tracks in Empross loud breaking my Intesity boundaries, Very bad ass. Dave Turncrantz shredding Pale Axe weilder is more than we come to Imagine, Fucking Brilliant Indeed!. "Lebaron"  sounds like a menacing Polar bear really, comes to my mind as an Imagination a polar bear eating fresh penguin flesh, Crushing deliberately Anxiety energy. Full of Energy "Burial" is Molded with. Crippling your inner thoughts with those Bad Ass Bass lines dude, I mean. How awesome is that. "Ethel" ah, reminds me Of Malko, Mladek and Micah indeed, Those Empross and Geneva days, Electronic tingling on the side of your ear. Loudness more Subdued in this part actually, but the Song? There more than Excellent I can say. "Memorial" Their collaboration with one of the artist from Sargent House, Yes, Ms. Chelsea Wolfe, Still Perfect. Russian Circles may be a Instrumental stuff from the start but they do good too When Vocals included. This album is amazingly Beautiful, I'm giving (4.5/5)


RUSSIAN WOLFE

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PELICAN: "FOREVER BECOMING"

PELICAN: "Forever Becoming"

"Post - Instrumental Boys Are Pounding Their Way Out"

Oh yes, After succesfully With their "Ataraxia/Taraxis EP" The boys are back, Producing some more musical Influences to their New Album "Forever Becoming". Some metalcore you might hear on the song, some low, slow, beat are in the gene of these Post-Metal Instrumental Band Hailing from Illinois. After recently announced an amicable split with guitarist and founding member Laurent Schroeder-Lebec. Schroeder-Lebec had not been touring with the band for the prior two years, with Dallas Thomas of The Swan King performing live in his stead, but not participating in the writing process. The album will be released on October 15, 2013 through Mr. Greg Anderson "Southern Lord Records". Forever Becoming was produced by Chris Common, formerly of "These Arms Are Snakes", who also previously produced Pelican's 2009 studio album, What We All Come To Need
Pelican Outfit in this Album is more Balanced, Between the soft parts and the hard parts, somehow this is not like How the old Pelican used to be, their exploring new territories in the music, In the Track "Deny The Absolute" It's not like how the old pelican used to be, Somehow they balanced their way out. Surely if you compare it to Other Tracks in other Pelican album you'll know the difference, They're just not slow, instrumental beat, Like many other bands, The guys really made this into An Intelligent Music. Somehow I'm really quite fond with this new Album, they really make it look promising. I mean 8-tracks of Completely Awesome Instrumental Music Pounding in your ear you could resonate the music itself. Like Pelican becoming more Complex, And More Metal than ever, Listen to "Immutable Dusk" There's a part when the music really gets goosebumps on your skin, It's just really great to be hearing this band again. My most favorite is "Threnody" you really gets the sense of feeling being haunted by somekind of dark-past memories and then Came out the Pelican sign in tone.

They just don't go for pure power on guitar and drums, they feel the heartbeat of the music too, the way how it's used to be, They absorbs the atmosphere within the music itself, like somehow their soul was attached to the Pelican itself which is, very very Staggering indeed. Completely blown my mind off Forever Becoming, What an Amazing album Indeed. 4.3/5

Reinhart Jeremy
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ECHOLIGHT - Bandung Heavy Instrumentalist Tune In With "GIANNI PORTO"

ECHOLIGHT - "GIANNI PORTO" : Harsh Temptation Between Post-Rock and Shoegaze

Tempting, Intruiging In Various ways.



Hailing from Bandung, These four men composed seems to be a Blend in of mixture of Harsh sides of Shoegaze, Post-Rock, Post-Punk, and Rock. And Entitled this "Gianni Porto" a Character that wrapped Eleven Tracks full of Benchmarking of some Post-Rock & Shoegaze submission, Kicking, References from Explosions In The Sky, God Is An Astronaut, and many more.

"ECHOLIGHT" are:
-Fariz Halim
-Gega Darmawan
-Fendy Gustya Suwardana
-Dito Setias
a

Now to the tracks, Here we go. "Black Stolen Boxes" is an Instrumental beating Pounding machine, Destructive and yet Elegant, Many sides of becoming A Post-Metal thing but it isn't. "Traffic Thriller" Was excellent, noises of compelling Intonation, "The Lethal Impression" is Mostly alike to be my favorite track from the album apart from Black Stolen Boxes, they've got those vibe that Making it a bit more "Powerfull" both endings and Intro. If you ask me naturally hell yes this is a good album, Impressive I Might say, Hearing this from Indonesia, "You Look Awkward" Seems a bit Post-Metal'ish Isis References, no matter. It sounds brilliant anyway, not that I'm sure of, This album Is a great way to spend in a New years Eve, same Like goes "Arcade". "Glare of Glowing City" and "M..A.D" are their first release and containing two of this tracks, No matter, sounds bad ass in an Elegant way. A Short thing to say, this album is fully equipped with your favorite Post-Rock Artist Genes, One of the best Releases in 2013, All I Can say I'm Giving This Album (4.5/5)



Listen to Black Stolen Boxes

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Mastodon: Sit Back, Relax, We're going to the Sun, Again.

Mastodon: A Blast of With "Once More 'Round The Sun"


Marvelous, Just Marvelous.

Mastodon, a creature, beast. Bigger than the Mammoth in the Ice Age. It's been a while since we're expecting more than these guys, but let me tell you, this album will surely knocks you off your seats. The Artwork is done by Skinner, I've seen his other works, and I gotta hand it to the guy, It looks hellish as hell. and I liked it. Produce my the one and Only Nick Raskulinecz. In this new album the boys will redeem themselves. After "The Hunter" the boys seems to be trying to make a comeback, and oh boy, what a comeback. I don't mean I hate "The Hunter" tho', there are some tracks that I really liked from that Album, and by far as I see it, Some of "The Hunter" elements are presence in this new album. Sure, yeah each Mastodon albums exists in a different place and Elements, but the main thing is, The guys capable of bringing back a bigger and more powerful works after that. There's a lot of rock going on in this album, so buckle up those seatbelts, it'gonna be a bumpy ride.






The album starts off with "Tread Lightly" a resonance strumming with an acoustic guitar, one of my favorite track also. Troy bass lines in this track is absolutely knocks down hard, A Steel knock off first base this track is. "Open your eyes, Take a Deep breath and return to Life" a glimpse of the lyrics. It seems a Resurrection was at hand, simply trying put off how they manage to make it all whole again. Brent starts shredding everything suddenly pops. "The Motherload" is a edgy confident beat, Brann vocals emerges from the depths, sweet and monstrously perfect, 'This time, This time,  things work out just fine' and my oh my, It surpass the word fine. Entering another dimension, a portal to another time and place, and got trapped in it. Progressive Rock elements were present, and being fused by the existing Psychedelic atmosphere. "High Road" it's one of their single, A Blunt battering ram, full of Sludge Hardened steel Riffs that capable taking down the all of the Madison Square. "Remission" particle was veery dominant in this track, It's a severe hit, a Rigorous triumphant. "Chimes of Midnight" a compelling lucid dreaming psychedelia trip into the solar system, Percussions everywhere, full of riffs that swarms right and tight, "All my heroes, they're all dead" one of Troy lines that I've heard in this track gives me the chills. A formidable stiff Melody. "Asleep In The Deep" yeah, I know, I get the chills too, It kinda reminds us of some Kvelertak'ish notes, Valient Himself and a Keyboardist Isaiah Owens who mainly known for his works with The Mars Volta, Jack White, etc. Take parts in this track. "Feast Your Eyes" a blummering beatdown of riffs and throat roarinng. Might and Melody walking in the same line holding hands mugging people in the streets basicly this track about. Jumping off cliffs and burning down bridges. "Aunt Lisa", the gangs from the The Coathangers and Gary Lindsey participate in this track. This song is like a Psychedelic Nightmare interpretation. Creepy.




"Ember City" this is my favorite track mostly from this album, filled with many Percussions that Leave you jaw dropping, Guitar shredding that makes you going too different Places, and Heavy choruses that looks like hitler is Preaching on stage. It's a snazzy prog rock attack, Sweet and hard at the same time.  Lurking down beneath your spine. You don't like metal? but you'll just love Mastodon. "Halloween", Fast weilding blade runner on the loose trying to beat all the kids in halloween, It's kinda a crime chase session we got here. Striking you on your knee, a Wallop full of Punches, Beatdowns, Riffs that Stronger than Meth, It's Bizzare freakish beat I tell you that. "Diamond In The Witch House" a Sinister song that filled with hatred surge and blasting sonic guitar shredding, 'Neurosis' very own Scott Kelly took part in this track, a Spine-chilling blow and thrust into our ears and hearts. Once again they outdone themselves, couldn't be more happier. They took their listeners into another Dimension, into another Solar System, and There are Creepy stuffs crawling and lurking in space, they aren't afraid to show it.

In this album, they filled it with a brim of a new aspects, It's a menacing destructive desolate anthems from these Atlanta Giants, Mercurial Prog rock, they branches off into a new Element. They've outdone themselves. Am Uplifting lean hard rock beatdown. I'm giving it (4.5/5.0)







Reinhart Jeremy

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Dooming On With Matiasu's "DOOM DANCE"

Dooming On With Matiasu's "Doom Dance"

-Heavy Riffs from The Subtropical Lands


Hear ye, hear ye. For you Sabbath fans. I know this album has been released months ago, I've been trying to review this album for so long, and hear goes. "Matiasu" a word which describe Death and living creatures, these Duo Stoner/Doom Metal Aficionados have been in my radar for months, I've been hearing their live peformances and Listening to their tunes, in Matter of fact, REVOIRREVOLVE has done an Interview with band Itself, in Circa 2012 of course, We've been reposting the old Interviews from the old site to the new ones HERE


matiasu

"DOOM DANCE" That's their title for their EP album, Matiasu consist Duo Stoner/Doom Metal members, Their References goes to Serpentine Path, Moss, Electric Wizard, Sleep and Of course the Holy Legendary Godfather of Heavy Metal Black Sabbath himself. Released via An Sonic Boom Record label Coventry from the Darkness glimpse of an a Could see A.K.A Sonicfuneral Recordings who works with Dark parts of life such as Wicked Suffer, And Asangata. Now let's get Crackin. Here's the Tracklist:
  1. After Dark

  2. Cult of Serpent

  3. Doom Dance

  4. Hallucination

Picture by Kvltmagz

The track starts with After Dark a riveting racket of heavyness burned deep beneath, Anthemic darkness Riff ladenistic Steel up into your knee, After a couple seconds Blast into a fucking furnace of Destruction, I Love the Riff, Prentitious slamming right into your earholes like a fucking machine gun. It's loud, It's Heavy, and it's Locally our Matiasu, The same Goes for Cult Of Serpent a Snake biting riff edging in both ends, still Dangerous though, not to be fucked with, Reminded me of Matt Pike's Guitar lines, Mainly Matiasu trying to Reimage a Dark Self Seeing Music, Deals with darkness, doom and weed I believe, Doom Dance is an Electric Wizardry, It's slow, Pummeling your head, knee and everything in between, reminded me Of Om somehow. Hallucination is a weed travelling flower man, crippling slowing down time itself, this sounds like Sleep to me, Indeed it is! I'm giving this album 3.5/5



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Reinhart Jeremy
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VROSK: "WORLD COLLAPSE/METRUMTANSAMAR" DEMO

V R O S K: "Doom Sludge Drone Sensation After First Bite"

"Furious Doom On, Sludge On Term This Band is"

Hailing from bandung, these guys Condemned theirselves with Drone/Doom/Slugde DNA. Reminded us that there is still a Hell beneath our rugged foot. "World Collapse/Metrum Tan Samar"  Demo Feature's 4 Track Of Drone Sludge Bloodgeoning  Here's the Track list & The boys who are behind Vrosk:






VROSK
  • World Collapse
  • Metrum Tan Samar
  • Mammoath
  • Untitled
 

 

V R O S K

Photos By: Maternal Disaster
  • AGAN AHSAN(VOICE)
  • ASHARI PANJI(DRUMS)
  • AOKI SETIAWAN(VISUALS)
  • DEATHLESS RAMZ(GUITARS)
  • FIRMAN OKTAVIAWAN(GUITAR, BASS)





 
Now let's see how the music is actually, the band really knocked their way out, the 1st track 'World Collapse' Is a full on description how our beloved world collapse, destroyed, and the guys illustrate how it would be, A Drone racketting around earholes really gets to you somehow 9 minutes of lone longing in demolishing your inner spirit within, Vrosk Endure the world destruction and set off to do some more damage. "Metrum Tan Samar" was sludge beating Doom Ignition to world annihilation. it is slow, crippling your feet within, really a beatdown amongst the living, you can't really hear how it turns out actually, I don't know. It sounded so Dark, and damp. 'Mammoath' really describe like a living creature who walks the earth in loneliness, like a dark walking Mammoth who survived the aftermath, it's slow and pounding, remind you somehow of Lee Dorian's 'Cathedral' . They don't really knock the door when to enter, Vrosk break the fucking door and blast your arse with a full on Sludge Doom Shotgun shells, simply Staggering indeed. 'Untitled' sounds like an emptiness glows within the dark reign forest, like a creature lurking behind the bushes, trees, trying to hunt down those who survived the post-apocalypse. Hardcore like beat combined with slow doom riffage really. Some musical influences are too being inserted in this dark themed band, some like Post-rock'ish tune sometime you heard in the track, mainly all the track are all instrumental. A Plus for this themed destruction Producers. I'm giving 3.5/5






Reinhart Jeremy

Check out their Soundcloud Page: https://soundcloud.com/vrosk
Their Twitter Page: https://twitter.com/vrosk_
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