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Red Fang: "An Nightmare Opera, Specializes In Halloween With Whales & Leeches"

"WHALES & LEECHES" by Red Fang

It's Fangbulous!

It's been a while since their latest  "Murder The Mountains" Red Fang, In my opinion, Was the Most Heavy Rifftastic, Beer-Laden, And Booze Entertaining in both Ends, Coming out from the Heart of Relapse Recordings, The Record it's a frantic Panic Songwriting. But either way, Here's what the dude at Red Fang says on Spin Magazine


Tracklist:

1. DOEN
2. Blood Like Cream
3. No Hope
4. Crows In Swine
5. Voices Of The Dead
6. Behind The Light
7. Dawn Rising
8. Failure
9. 1516
10. This Animal
11. Every Little Twist

The result of this frenzy is a record that's heavier than their usual brutal boogie: hyper-charged bulldozer riffs, lyrics about a doomed winter and death tolls, and bellowed vocals that recall burly forefathers like Mastodon and Baroness

Aaron Beam(Red Fang) On Spin Magazine.

I in the other Hand, of course Find this thing is Newly To my Ears, And Excitement was in the Air My Friend! For Whales & Leeches, the band worked producer Chris Funk (Decemberists) and mixer Vance Powell (White Stripes, Raconteurs, Kings of Leon). This same team worked on Red Fang’s last album Murder the Mountains. In this Album Red Fang get it Crackin' With the help of guests Mike Scheidt (Yob) and Pall Jenkins (The Black Heart Procession). Okay!, Now let's get Cracking with the Album , The Track start's Off with "DOEN" which stands of Dead Of Endless Nights, Pretty heavy shit track to start off with, reminded me of Matt Pike's Finest Heavy rock Crew "High On Fire" but of course still with Red Fang Flavoured Dna. "Blood Like Cream" it's kinda creepy rock n roll For those Halloween enthusiats out there, This is my favorite track actually, you can hear the track
.

"No Hope" Were kinda one of those days when you just wanna quit from everyday schedule, It's mainly about Losing Hope, and you were kinda like this street driver crashing to every shit in your life. Pretty Chaotic and Awesome Of Course dude, I Mean c'mon? The guys still have their Flavoured touch to the Music. It's New, And I'm Liking it! "Crows In Swine" Dooming it on with somekinda Ghost-ish Intro from the front, it's like A Food thing actually, like a Pig that could look like a Crow, These guys still playing with food names I Guess. "Voices Of The Dead" & "Behind The Light" like a Combination Life after death, The Dead shout out their voices, behind the light. Like meaning they didn't go to heaven actually, Poor bastard, but Nevertheless It's Cool, Like a Beatdown Stoner Badminton on your Head. Really knocks you off your socks. "Dawn Rising" kinda long Doom, Stoner Anthemic to World Revolution, Slow, Pounding, and Kick ass, kinda get a feel walking down the street feels like a guy with a lot History of Bad ass Reputation. Next Track "Failure" like a Slow moisture horror film. Pretty neat actually, Reminding me somehow of Mastodon. "1516" Now this is very Mastodon Influenced indeed, reminded me of Brent and Bill Guitar lines on Blood And Thunder. Fucking Cool! Grill, Chilling down your Spine down Under, and So does beneath. "This Animal" Reminding me of The Raw Side of Coliseum combining with Red Fang Dna and A bit of Queen Of The Stone Age I think. The last Track "Every Little Twist" like a rock hymn to problems in life I think. Pall Jenkins from Black Heart Procession and Three Mile Pilot also sings on this song. Mainly I Think Red Fang -  Whales And Leeches is a Bad Ass tune to start your Halloween day, Creepy, Cool, New, And Awesome. I'm Giving 4/5





Reinhart Jeremy


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A STORM OF LIGHT - NATIONS TO FLAMES

A STORM OF LIGHT :  "Nations To Flames

"A Flame Grilling Metal Indeed"

Yes, yes, I'm so happy. Okay, As you know Josh Graham(Neurosis Visual Collaborator) fronted Doom/Post-Metal/Heavy Metal is back. Pouring some sweat blooded fire reign upon you're ghastly looking ears. And I mean they're really kicking asses right now, these guys really put their back into it.  In this album the Guys really prepared for a full scaled Heavy Grim Like Metal,  it's like getting your head bashed into a Concrete steel. Anyway let's crack on to the album shall we.

"Nations To Flames" Was released via Southern Lord Recordings, Whom we know owned by the notorius Goatsnake Guitarist Mr. Greg Anderson, Nations To Flames was recorded with Travis Kammeyer (OCOAI, Generation Of Vipers) at Fahrenheit Studios in Johnson City, Tennessee,mixed with Matt Bayles (Isis, Soundgarden, Pearl Jam, Botch, Mastodon) at Red Room Recording in Seattle, Washington and mastered by Brad Boatright (Sleep, From Ashes Rise, Nails) at Audiosiege in Portland, Oregon. What a line up of people who are working with ASOL in this album, 11-track opus includes Soundgraden’s Kim Thayil and Indian/Nachtmystium’s Will Lindsay on select tracks. My god What can you get more from this album. Okay let's see

 A STORM OF LIGHT "NATIONS TO FLAMES"
 
The track starts off with "Fall" Heavy Metal  Opera was really took it's toll, one of the most favorite track for my prespective, Rage, power, And Riffage Does Prevail. Same goes for the guitar crippling on "Apostles of Hatred" Heavy fueled Metal,  It's like you can still hear the how they put things in orderly, Like the boys really made it. They made my ear Came! They really throw out the "Post" Term out of the way, Graham really did it. I Mean following the success of their past album "As The Valley Of Death Become Us, Our Silver Memories Fade"
Nonetheless, I Cannot say, the album was really worth it. Mr. Graham Lyrics dig down upon the song Theme itself, I Mean really like Hatred was Turning into a Musical Masterpiece, Follow Up with "The Fire Sermon" It's like black metal'ish tune, then go slowly trying to cut your legs off. I mean, Come on? this is the best album I've heard since Neurosis "Honor Found In Decay" . Overall the band really features new stuff, Like really going in to the hard part instead being post-metal'ish. And I must say. This Is The True Identity of "A Storm Of Light" They are rage fueled, Hatred maker, From "Omen", "Disintegrate" , "Lifeless" This is what this band is all about. I'm giving 4.5/5

Reinhart Jeremy
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SOMNIUM: BLACK CAMPAIGN(ORANGE CLIFF 2015)

SABBATH IS STOOGING THE DOORS

7 Tracks on repeat

Another marvelous combination in the world of music, Warning, this is not that Melodic Hard Rock Band Somnium band from the New England, this is a different type. Somnium is a psychedelic fused low tuned sabbath stooges doors combustion, with a trio line up of devastating proportion from Bandung, West Java. Peformed in 7 tracks debut album, and released by the infamous Bandung Based sub-genre label Orange Cliff Records. This album is mastered by Jack Control in Austin Texas(Enourmous Door Studio). Cryptid, raw, and lo-fi deliquents, they're bringing back reference from psychedelic of The Doors, raw ness of groove by The Stooges, and the amplifying rock anthem of Black Sabbath. But, there is more than what meets the eye. They combined some fuzz desert stoner punk rock/garage/blues hormones and inject them into their very own dna. Holy shit, that's a lot to take in..




"Black Campaign" this terms is usually being used in politics and elections. Despicable and maniacal, this defines Somnium to what they are. Their haze of vocals beatdown rocknroll blues garage crescendo tuning into your ears, that my friend is "Putrefaction" a sexy anthem swinging around the corner and drinking that jack, smoke some of that blunt weed while walking under the so called City Lights. In the end there is this sudden change of punk rock/garage rhythym.



"Morbid Dependecy", this how you handle things in the wild west. If Clint Eastwood was around when this came out in The Good, The Bad And The Ugly, this is the original score for the film soundtrack. The tequila was poured down unto the sonic throbbing fused speaker. Making that riff mating with some coyotes. "Pigs", maybe is one of those tracks when you trying to fuck shit up while in a traffic jam, or getting chased by frickin pigs. You can't hear anything actually due to the thickness of that hazy vocals but who gives a damn fuck, it's all about that riff. This was used as their single from this upcoming album. Positive feedbacks were given.

"Barbaric Transition" was a knock out desert garage blues rock session, some Samsara Blues Experiment effect combined with that Blues Pills and Goat down tempo mofo, they are changing their lanes in the progress. "Black Campaign" is a trench low core fillet of pure grilled vertical barbaric riff mounted blues notes. Those Lowrider anti-depressants are working well for an stupendous debut album.






I'm giving this album

4.2/5





Reinhart Jeremy



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SANDRIDER: "GODHEAD" IS RIFF FUELED AND PUMMELING DOWN UNDER!

SANDRIDER: "GODHEAD" IS RIFF FUELED & PUMMELING DOWN UNDER

It's Fucking Sick!






Rock Panache, Thrash Apocalyptic, Sandrider Is a band really not to be underestimated with, Straight from the Lineage of the Mighty AKIMBO itself, Put us in the Realm between Two worlds Sludge Metal and Stoner. Straight up from Seattle, these guys have been on the radar of my Favorite Stoner/Sludge Metal Band, On the bloodlines Nirvana, Melvins and Soundgarden molded into one. Jon Weisnewski(Guitarist) and Nat Damn(Drummer) was in the cutthroat Heavweight Champions 'Akimbo', While the Bassist Jesse Roberts was in a Prog Punk The Ruby Doe & Kid Kongo Powers. Sandrider itself already evolve themselves from their previous album back in 2011, in this album they've become More energetic, exploring, and lastly becoming more Awesome, so let's get to bits and tits shall we.




Still in the hands of Matt Bayles(Isis, Mastodon, The Sword, Tragedy), "Godhead" is a Gun blazing Northstar in the Stoner Rock world. Going out via Good To Die Records, these guys are unfuckable, Not to mention they have their own Unique way to be bad asses. So the album was made after Akimbo announce it's break up, so the guys focused on making 2nd Sandrider album. I must say this album is really Need to be in a Car Chase Movie, I mean listen to "Gorgon" It's fucking ripping your ears of your head, blasting all around like a Clint Eastwood shit was starting to get down on the block, and It's suddenly becoming my favorite album of the year. Heck yeah! why not? I mean "Ruiner" was Pounding, Stomps, Claps, Sensitively making my earbuds Bleeding. Eargasm was achieved. "Scalpel" oh don't get me started with that. That there is a master piece, My favorite track. Groove down with the beat. Vocal harmonies was Ill-fitting, making me flirting with my music stereo actually. "Godhead" Really the progressions of the new era of Bad Asses, Awesomeness, I can say Portland, Oregon very own Red Fang should have a Split album with this guys. Splitting my head in half with this Godhead shit. Powerful Indeed. I'm Giving (4.5/5)

 

OFFICIAL VIDEO: "SANDRIDER" - "GORGON"


 
"


 
Reinhart Jeremy
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Doomriders: "When Blooded Vengeance Prevails, Darkness Rise"

"Grand Blood" by DOOMRIDERS

'Hellish Doomfrontiers Comeback'

Boston Based Heavy Metal/Hardcore League 'Doomriders' comeback with their latest new Album, features Blood, Sweat, Rage, and more Hard than the core. Hands up and fist pump. This is their 3rd Studio Album, after The successful of "Darkness Comes Alive" . Produced by Kurt Ballou, 'Darkness Comes Alive' was most to be told Shawn Bosler of Decibel magazine lauded the band's skilled songwriting, saying that "the stellar songwriting sounds like a well-honed band working together, stretching out the tunes and getting all ninja pyrotechnic on your ass." Now the New album is Out, will it carries on the Success? Let's Find out.






 

Tracklist:
01. Intro (0:36)
02. New Pyramids (3:53)
03. Mankind (2:45)
04. Grand Blood (3:48)
05. Bad Vibes (3:32)
06. Dead Friends (4:03)
07. Death In Heat (5:54)
08. We Live In The Shadows (4:42)
09. Gone To Hell (3:41)
10. Back Taxes (3:07)
11. Father Midnight (5:48)


Now don't get me wrong, you may find something really new to the band Blood vein, More characteristic, More Power. the ones that really pulls me out of my chair and banging my head was 'New Pyramids' they got this kinda like rock n roll shredding going on around it, more like a complicated mixtures of Awesomeness, plus Nate Newton vocals more added up to the track, Making it more Anger fueled, bloddy bad ass. 'Bad Vibes' were kinda Punk/Heavy Metal tune you always hear back in the days, Cool, It's like one of those Jogging soundtrack when suddenly you got chased by someone's dog. It's rockish punk heavy metal, Me Likey!. 'Death In Heat' Track starts of with something you familiar with doom bands, Big ass riff, slo mo's and weed. It's death rides southwards, Hot, and blooded, sweaty, and Riffy. Pounding your ear with those Doomriders based sounding tune, you can hear the Bass line like a Pure rage englightment, 'Back Taxes' it reminds me of Coliseum somehow, one of my favorite band too, Pure heavy punk combine with hardcore heavy metal DNA, what can you get?  A Hardcore heavypunk  soundtrack, back to the jogging again! 'Mankind' was kinda The Ocean like intro, only it's a bit more than just Tech metal, it still have Doomriders main DNA. not much to say actually. 'Dead Friends' was one of Nate song about their deceased fellow friends, He said, "I didn't want it to be sad, I wanted it to be a celebration. I'm not going to sugar coat it. It's sad. But you can't spend your whole life in grief." About the lose theme of Grand Blood, Newton said, "The record focuses on getting older and dealing with death and all the responsibilities I was shirking most of my life. It's about looking in the mirror and taking responsibility." 'Gone To Hell' Is maybe one of the most song that features Nate didn't scream, Nate was singing about grief, pain & death. 'We Live In The Shadows'  darkness themed this band, So this is my favorite track, one from the many, it straighten up the Term and the Identity of 'Doomriders' itself. 'Father Midnight'  It's like one of those Post-Metal song reminders, headbanging Addict will made this into one of their Main playlist. Interesting. Rage really does much of the album, Blood and pain does the trick. 'Grand Blood' was intruigingly magnificent, complex hardcore heavy metal. shreddin bass tune, axe killing with the guitar, and Blood massacre. I'm giving 'Grand Blood' 3.5/5



Reinhart Jeremy
 
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BLACK//HAWK: SELF TITLED EP(2015)

Southern Young Blood Retaliation

Outwitted and outnumbered




From the minds of a pale law abiding citizen, Black//Hawk puts their aim a little higher. These five southern quartet recently premiered their single teaser for this upcoming S/T EP titled "Schizophrenia". Released by Blacksheep Recordings and Rimauman Music. We think that this album is a bit Muddy, Noise, Feedback, Raw, and Sludge-blatantly face to face dirt en-visioned with a little d-beat/crust punk essence and that abrasive Mike IX Williams vibe vocals, Non-theless being Executive Produced by Farid Amriansyah who put some of his vocals layout in the album, mastered and mixed by Jimmy(AD Studio) and a cover album art by GOORM.







Six gritty back to back tracks, as we said before, it was gritty, raw, and full dirt loathe. Songs like "Doppelgangers" is an apparition of ourselves, there are not a lot of rooms to make variations, but thats okay, I consider this is more like a an aggresive sludge-waste beatdown, Ethical and Thrashers in with manner of contempt not to be interfere with. "Schizophrenia" is the prom Queen on all of this pale and despair themed album, Charging with a buzzsaw of punk rock fury, they bleed their artery and carry on with it. The bass lines in this album represents some nasty shit of mean, it's Intimidating in a weird way after being fused in with the feedback. 


"Nervous Breakdown" 
No, it's not that Black Flag song. Rhythmic aggresiveness continues flowing ferociously like pack of rabid dogs. It's a predictable tune if you can compete. "III(Beige Menjadi Hitam)" starts launching in with frustrating of scream and lunging in to this sludge ritted in. "Rinela" is all about that bass, deep, distorted, mean and intimidating. Plus those amplified beatdown feedback note descending on the throne. Sure, there is a moment when the brutality stands down a let the moment of soundscaping begin, they restrained their inner beast "Final Ending" is a bit post-ish ambient creepy atmosphere clouding in around you, Misanthropic and pre-emptive. 





We're Giving this 3.0/5







Matthew Dirkman
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